Emails (including the couple’s very own daughter, self-centered on top however, medical strong affects) is available in and infiltrate briefly the new natural, protective webbing that Georges and Anne are in reality forming for themselves, however, both guest together with machine think that the brand new couple’s lifetime are now being intruded abreast of. Theirs try a holistic, private community you to outsiders you will need to get into; there was an effective bit of symbolization, early throughout the motion picture, after Georges and you may Anne get back in the performance, in which it discover that some one keeps tried to break right into its apartment. That it partners, in the face of oncoming catastrophe, cover up in this by themselves and in this space, their, where he’s got spent so many ages and you may based the lifestyle together.
In my opinion this to be a knowledgeable movie Haneke has actually ever before produced. Sure, it’s gruellingly unsentimental, however, unlike each one of their most other movies, there’s passion, pain and legitimate mankind found here. We are greeted because of the a couple of highly smart somebody, who had been and stay deeply in love, and in addition we is actually confronted now – not to observe the beginning of that it dating, but the prevent. Georges and you can Anne aren’t primary people; they be enraged, also mad. New injuries that each and every is also create on the other side, understanding both inside out, smack the audience like a punch into kaunis teini Medellin tytГ¶t the gut. It is part of the searing credibility of your own flick, which makes the even more sensitive moments much more unique.
It’s a mental crisis, tinged having philosophy and you can minutes out of superb, tragic poetry. Georges and you will Anne has actually invested many a lot of time, happy age together, and today, slower and you can regrettably, the happiness is coming so you can an-end
There can be a scene when you look at the Michael Haneke’s current flick (the new winner for the year’s Palme d’Or, AMOUR) where one of the many characters talks about a motion picture the guy watched few years in the past. Part of the emails is an older hitched partners: (the music teachers) Georges and you can Eve (Jean-Louis Trintignant and you will Emmanuelle Riva, respectively). So Georges try advising Eve on a film one left your a massive impression – now he can not very recall the flick in itself (term, their story and you may articles) but precisely the grand feeling he noticed inside besides at the they and in addition while after informing anybody about any of it.
AMOUR was a film about this feelings. In the event that Jean-Louis Trintignant’s character can only think about now, as the an older guy, exactly what that motion picture made your feel, next Haneke just wants that you (and his awesome characters) become things. AMOUR isn’t a film which have a big, intriguing story. Actually, it reveals towards the conclusion of whole procedure, that is indeed about that stated married couples – there’s nothing much going on, as well as specific music series, up to Actually actually starts to tell you serious health conditions (she endures a heart attack indeed and very quickly off paralysis). Definitely we all know there will not be much expect her.
Really don’t believe none ones was spoilers, hell, your already suspected the conclusion with the facts regarding Eve. Instance I said, Haneke went sometime low-linear toward very first take to of the motion picture – he is advising the viewers something similar to “sure, she becomes deceased, I am not gonna make you people vow and i also merely would like you feeling some thing”. And is impossible never to; yes an element of the designers are definitely the principals accountable for one.